If you feel the need to record at sample rates above 96 kHz, you should spend a considerable amount of time testing analog recording chains, converters and DAWs to find a workflow that suits your purpose. Sample rates above 96 kHz may be more susceptible to jitter problems and will certainly tax your CPU, reduce your track count, and provide fewer plugin choices. I would generally recommend against or kHz unless you have truly studied the pros and cons of those high sampling rates.
Sometimes sample rate conversion is unavoidable and many software utilities provide excellent sample rate conversion. So we see that choosing a sample rate is relatively straight-forward. Here is a cheat sheet to help keep it all organized:. For audiophile music or sound design you may prefer 96 kHz. Mixing: Mix sessions should remain at the sample rate of the recording.
You will not improve the sound of a project by upsampling a session to a higher sample rate session. If you are mixing on an analog console, print your mix at either 48 kHz or 96 kHz as described above. Mastering: Do not upsample during mastering.
For in-the-box mastering, master at the same sample rate as the delivered project. For analog mastering, play out the digital file at its native sample rate, process via analog processors and capture the result at the sample rate the client requires, usually 48 kHz or Also capture a 96 kHz file for archiving. Do not sample rate convert the final master unless it is unavoidable. Distribution: Video producers usually require 48 kHz files while digital music distributors like iTunes will accept any sample rate of at least Adam Kagan has over two decades of experience in the recording industry as a producer, mixer, engineer and designer, contributing to more than 19 Grammy nominated projects, and dozens of gold and platinum selling records.
From hip-hop artists like Lil' Wayne to latin jazz by Oskar Cartaya to feature film mixing. Adam has been lucky enough to be involved with many award-winning and creatively gifted artists and projects. Adam's background includes the study of music, electrical engineering, and acoustics, which has led him to work extensively in music, multimedia and as a product developer of software and hardware. A CD will host 16 bit audio.
Whereas iTunes and DVD audio supports up to 24 bits which can accommodate a larger dynamic range. Download the fully functional trials of our plugins to help you get better sounding mixes FREE for 15 days.
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